Tag: flowers

aechmea fasciata painting

Selection of Pink Watercolor Flowers

Thanks to my membership at the botanic garden (and multiple visits over the summer), I now have a huge collection of snapshots of beautiful, showy, and unusual (to me) flowers to paint. Today I’m taking a look back at some pink watercolor flowers that I painted this past August in my large moleskine sketchbook. I spent quite a bit of time painting these—on paper that isn’t even intended for watercolor. It’s almost a shame that I didn’t use proper watercolor paper, but I think that the fact that it was in my sketchbook helped me to relax and enjoy myself more than I would have otherwise.

aechmea fasciata painting
©2016 Carolyn A Pappas, Aechmea fasciata. Graphite and watercolor in large moleskine.
watercolor hibiscus
©2016 Carolyn A Pappas, Hibiscus in strong lighting. Graphite and watercolor in large moleskine.

chenille plant drawing

Sketching at Magic Wings

Last weekend I visited Magic Wings Butterfly Conservatory. I had last been there two years ago, so I was due for another visit. This time though, the timing was not ideal. It was a rainy Saturday and the place was crowded with lots of other people who had the same idea. That, combined with all of the substandard photos that I took and a shortage of blue morpho butterflies, led to a rather disappointing visit. I did get to make a sketch though, which was the highlight of the trip.

chenille plant drawing
©2016 Carolyn A Pappas, Chenille Plant at Magic Wings (6/11/2016). Ink and watercolor in large moleskine.

tropical photos
Selected photos from my trip to Magic Wings. ©2016 Carolyn A Pappas.
new guinea impatiens watercolor

Outdoor watercolor sketching on a greeting card

new guinea impatiens watercolor
©2016 Carolyn A Pappas, New Guinea Impatiens (5/27/2016). Watercolor on a blank note card, 8.9 x 12.4 cm.

Lately I’ve been trying to expand my skills and get a bit out of my comfort zone. With that in mind, instead of sketching with pen outdoors as I usually do, I decided to paint in watercolor. There is so much information online about people’s ideal travel watercolor setup, but I never paid attention to it much because I never took my watercolors outside with me. Interestingly, my supplies weren’t the problem for me this time.

I used a size 6 Cotman III brush and my Winsor & Newton compact set. For water, I used my regular water cup. My seating was on the granite steps going down into the lake. I felt a little uneasy because I was sitting in an awkward position with the trunk of my body twisted in an odd angle to properly view the flowers. Minuscule bugs started crawling across the paper as well which concerned me because I didn’t want to squish them and then leave a mark on my card. I found that a strong puff of exhale blew them off my paper which worked nicely. It was late afternoon when people start taking their speedboats out, which generated pretty large waves and I almost got splashed a few times.

The whole experience left me feeling rather rushed and not relaxed. The next time I go outside to paint I am going to put some more thought into my seating location as well as my subject. I will pick something less detailed and easier to paint quickly.

tulips sketch

Tower Hill Botanic Garden

tulips sketch
©2016 Carolyn A Pappas, Tulips (5/11/2016). Watersoluble colored pencil and rubber stamping in large moleskine.
azaleas nature sketch
©2016 Carolyn A Pappas, Azaleas (5/11/2016). Ink and watercolor in large moleskine.

My mom, Cate and I visited Tower Hill Botanic Garden for the first time last week. What a treasure of a place! I can’t believe that I’ve never visited in over twenty years of living in Central Mass. There is a lot to look at and it changes seasonally with new things on display all year, even in winter I’m told. The tulip beds, planted in coordinated color combinations, were the highlight of the trip for me. There was also a display of fairy houses and an exhibit of watercolor paintings by wildlife artist Barry Van Dusen (on display until June 26, 2016).

I only took photos and didn’t get the time to sit and sketch this time. However, I joined as a member and will be visiting again soon with my sketchbook and a big block of (undisturbed) time.

watercolor tulips sketch

Watercolor Tulips in Moleskine

watercolor tulips sketch
©2016 Carolyn A Pappas, Tulips (4/27/2016). Watercolor, graphite, rubber stamps and pen in large moleskine.
It’s been a while since I’ve painted in watercolor without doing an ink drawing first so I decided to try it out in my moleskine (not the moleskine watercolor album). I used fairly wet washes. Granted, moleskine paper is not meant for watercolor, hence all the buckling. Still, it was fun and I enjoyed getting outside in the breeze to paint it instead of working from a photo.

pink peony drawing

Pink Peony with Buds

pink peony drawing
©2016 Carolyn A Pappas, Pink Peony with Buds. Graphite and watercolor on 5 x 7 inch greeting card.

A pink peony for Valentine’s Day, drawn from my photo archives. I have really been enjoying the artwork of Inky Leaves on Instagram and I’m getting inspired to start making some more botanical themed artwork myself in the near future. I never used to care for the white backgrounds in traditional botanical painting (thinking they were too boring), but this aesthetic has grown on me and I’m going to try to leave my backgrounds white for the next couple of paintings.

Cottage sketch by Carolyn A Pappas

Sketchbook Roundup

Here is a compilation of my recent sketchbooks for your enjoyment. I’ve been really trying to keep a regular sketchbook habit as it is the single best thing I know of for stress relief and relaxation. Plus, I’ve been lucky to have a lot of fresh flowers in the house. Right now I’m really busy with Christmas prep and having a great time with it.

Cottage sketch by Carolyn A Pappas
©2015 Carolyn A Pappas, Cottage Sketch. Ink and watercolor in large moleskine.
zinnia drawing by Carolyn A Pappas
©2015 Carolyn A Pappas, Zinnia. Faber Castell PITT Pens in large moleskine.
island drawing by Carolyn A Pappas
©2015 Carolyn A Pappas, Island (12-1-2015). Ink and watercolor in large moleskine.
Shoreline Sketch by Carolyn A Pappas
©2015 Carolyn A Pappas, Shoreline Sketch (12-3-2015). Ink and watercolor in large moleskine.
Peonies drawing by Carolyn A Pappas
©2015 Carolyn A Pappas, Pink and White Peonies (12-4-2015). Ink and watercolor in large moleskine.
African Violets sketch
©2015 Carolyn A Pappas, African Violets (12-10-2015). Ink in large moleskine.
Tulips drawing by Carolyn A Pappas
©2015 Carolyn A Pappas, Tulips (12-15-2015). Ink and watercolor pencil in large moleskine.
Licorice plant drawing by Carolyn A Pappas

The Life-Changing Magic of Tidying Up

Licorice plant drawing by Carolyn A Pappas
©2015 Carolyn A Pappas, Licorice Plant. Ink in 7×10 inch Stillman & Birn Epsilon Series sketchbook.
I read this book a few months back and it has really stuck with me, which is rare for a nonfiction book. I am someone who has struggled for years with what Marie Kondo calls “rebound.” My relationship with organization is similar to what some people deal with when yo-yo dieting. I go on a massive cleaning spree and have things under control for about one week, but things quickly fall apart again. Over the past four years or so I have really improved, due to drastically reducing my living space and possessions accordingly. Even still, I continue to struggle, as I have not been able to stick to a long term solution. When my summer term is over, I am going to do a purge and fully implement her method. I will report back on my findings.

This is one of my favorite passages of the book:

If you have read this far, you have probably noticed that in my method your feelings are the standard for decision making. Many people may be puzzled by such vague criteria as “things that give you a thrill of pleasure” or “click point.” The majority of methods give clearly defined numerical goals, such as “Discard anything you haven’t used for two years,” “Seven jackets and ten blouses is the perfect amount,” “Get rid of one thing every time you buy something new.” But I believe this is one reason these methods result in rebound.

 

Even if these methods temporarily result in a tidy space, automatically following criteria proposed by others and based on their “know-how” will have no lasting effect – unless their criteria happens to match your own standards of what feels right. Only you can know what kind of environment makes you feel happy. The act of picking up and choosing objects is extremely personal. To avoid rebound, you need to create your own tidying method with your own standards. This is precisely why it is so important to identify how you feel about each item you own.

 

Marie Kondo in The Life-Changing Magic of Tidying Up, pg 125-126.