Below you will see some of the artwork I have made since the first of the year. I also have several pages of abandoned pen and ink drawings that I’m not going to post.
So far this year, I have drawn every single day, but not for enough time each day, I admit. I have also been picking up extra shifts at work, so I’ve been feeling a bit over scheduled lately. I’ve been saving money by making almost no unnecessary purchases and I’ve been feeling very responsible.
Things I’ve been working on:
I’m wondering how long I can go at this pace. My pen and ink class is two months away, on April 22, and I still have a lot to do for that. I can’t wait to get started on a few more projects afterwards. Once summer comes, I won’t be at work so much, so I’ll have more time to myself and some bigger paintings.
Welcome to my annual yearly review and goals post. I didn’t have any goals in 2019 except to be more regular with doing art every day and to send my newsletter out monthly. I included a picture of my art tracker for the year so you can see that I got much more serious around June. I made art every day in October and I was so proud of myself for this achievement. I plan on trying to continue this momentum for 2020. I did send my newsletter out monthly except for in the summer. I want to get more regular with this and to also plan it out better to relieve some stress.
For 2020, I want to be more intentional with my art activities. Instead of spending weeks working in my sketchbook, I would like to work on some finished artwork to frame and sell. I also want to spend more time doing projects of my own instead of just looking at what everyone else is doing online.
I got an iPad Pro and an Apple pencil this year and I want to learn how to use the Procreate app. This app is very powerful and there are so many features. There is always a learning curve with any new medium, but I’m excited about some projects that I can make with this app.
Pen and ink will be a huge focus of my artwork, especially in the first half of the year, because I will be teaching a pen and ink nature sketching workshop in my community. I’m excited about this opportunity.
Thank you for following my work. I appreciate everyone who follows me regularly and everyone who just stops to look. Below, I’ve posted some work from the year that I haven’t shared here before. Best wishes for a productive, creative and healthy 2020 and beyond.
Happy Thanksgiving to everyone reading from the US. I have so much to be thankful for this year. I have a regular routine and my life has quieted down so much compared to year’s past. I’m pleased with myself that I’ve been working on art (nearly) daily since the end of September. I think one of the reasons is that my work schedule gives me mornings off and I feel more motivated to get some artwork done before I go in to work.
Still, I’ve been feeling a bit overwhelmed with several projects. I tend to do this every year before Christmas, and I’ve vowed to myself several times (unsuccessfully) that I would not repeat the mistake. I’m looking forward to wrapping up all my handmade gifts and then moving onto some pursuits that are just for me. Andy J Pizza has a new Skillshare class on this topic that really has me inspired.
I recently finished a sketchbook and started a new one, the Etchr A5 hotpress 100% cotton watercolor sketchbook (see bottom left image below). I love that this sketchbook takes watercolor so much better than the moleskine books. However, I have some projects in mind that aren’t in a sketchbook and instead involve working on frame-able artwork. Stay tuned for some work outside of the sketchbook in the coming months.
I’ve been working on pen and ink all summer, but now I’m feeling like a change. The start of the school year always feels like a natural starting point and actually feels like a better time for new ventures than the beginning of the calendar year for me.
School starts tomorrow so I think it might be the perfect time to shift to a new way of working for awhile. I miss painting in watercolor and making more colorful art. So stay tuned for some more work in a colorful vein in my next update.
Since April, I’ve been using the Platinum Carbon Desk Pen with Platinum Carbon black ink. I originally heard about this pen through an art facebook group that I’m a part of. I used the ink cartridge that came with the pen and I’m on my second cartridge. I haven’t yet tried the converter. The ink cartridges and converters come with a small ball bearing inside to agitate the ink and prevent clumping, which is quite unique.
All summer, I’ve been making pen and ink drawings of various places that I’ve visited for day trips and small getaways. It’s been the longest time that I’ve worked in one medium without deviating and so far I haven’t lost interest. This is the closest thing I’ve done to a series in fact. Some of these drawings are duds, of course, but I will have to collect my favorite ones and find an interesting way to display/publish them.
I made these drawings from photos I took at the Hopedale Fairy Walk in the Hopedale Parklands. Here is an interesting story I found about the history of the pond and how women gained the right to go swimming in it in the early 1900’s. I always like to find out little tidbits about the history of the places I visit.
I had so many plans for my art in 2018 but things did not work as planned. I sorely underestimated the mental and physical energy that working full time as a new nurse would require. I was working more hours than a normal 40 hour workweek with odd shifts and a very irregular sleep schedule. For the last three months of the year, I didn’t pick up a pencil or a paint brush even one time and I felt so out of sorts. I’ve since taken some steps to remedy that situation and I’m looking forward to having more time for artwork in the coming months.
I have no formal goals for this year, but I just want to have fun and concentrate on making art daily or as close to daily as possible. I also want to focus on sending out my newsletter every month–I neglected to send that out for the last few months of the year and I regretted it. My January edition will be going out within the next few days (click here to sign up).
I’m looking forward to what 2019 will hold for me and I hope that everyone reading this has a prosperous and fulfilling year ahead.
Above is an illustration I completed for the cover art for the self-released album by John Hanson Project. I’ve known John for several years and he is an extremely dedicated musician who has been working tirelessly for years to realize his musical dreams. I highly recommend that you check out his new album Go On.
I finally decided to participate in Inktober after years of wanting to participate but letting life get in my way. In preparation, I decided to write down some brief thoughts on some of the pen and ink instructional books that I’ve collected. Reviewing these books has been helpful and inspiring as I plan out my inking activities for this coming October.
Continue reading below for my reviews:
Pen & Ink Drawing: A Simple Guide by Alphonso Dunn. This is the most recently published book out of all of these. The author’s passion about the topic comes through so strongly when reading this book. There is a lot of basic drawing instruction included, such as info on value, form, and composition. There is also a chapter on sketchbooking, where the author shows examples of his own sketches. One thing that I thought was interesting was that the drawings seem very “soft,” as if drawn with pencil. Looking closely, I tend to think that this has to do with how the art was reproduced. I highly recommend checking out this book as well as Dunn’s expansive YouTube channel. Dunn also came out with a companion workbook which I haven’t gotten a chance to see yet.
Creating Textures in Pen & Ink with Watercolor by Claudia Nice. This book and the following one are very similar but Nice’s work always made me smile so I decided to get both books and see what the differences are. One of the main criticisms of Nice’s books on Amazon was that same content has been recycled and used in several books. I didn’t specifically notice that with these two books, although there was some overlap. One thing that really distracted me throughout both of these books was the odd style of handlettering. I would have much preferred a standard printed font for ease of reading. I enjoyed the wide variety of subject matter with quite a bit of still life material. She also uses colored inks in some drawings. Nice uses rapidograph pens almost exclusively.
Creating Textured Landscapes with pen, ink and watercolor by Claudia Nice. In the previous book, Nice focuses on capturing textures of a variety of man made and natural substances. In this book, Nice shifts her focus to nature and how to incorporate the different elements into a landscape style painting. There seems to be more watercolor content in this book, and more pen and ink material in the former. There is one chapter devoted to incorporating architecture into the landscape and covers perspective nicely. The landscape format of the book also seems to fit nicely with the subject matter. I’m not sure which book I prefer more; I’m glad I got both.
The Technical Pen by Gary Simmons. Although this book is specific to technical pens (rapidographs), it contains a lot of helpful information for general pen and ink drawing. Disposable fineliners like Microns have similarities to technical pens so a lot of the demo illustrations wouldn’t necessarily have to be done with a technical pen. Many of the drawings are highly stylized and have more of an illustrative quality. My favorite part was when the author redid the same drawing several times using different types of pen strokes to show the variation possible. There is a good mix of “tight” and “loose” drawing styles.
Rendering in Pen and Ink by Arthur Guptill. I’ve had this book for years and it never fails to inspire. It’s such a classic. I love that in addition to showing many drawings, the author analyzes them and explains what works and what could be improved. There are also sample artworks from different artists, not just the author of the book. It’s really heavy on architectural drawings but there are natural elements incorporated within them. There are also a fair number of portraits included.
Pen & Ink Techniques by Frank Lohan. This book has some good info about planning out the drawing, including matting, and has some very useful suggestions about avoiding common errors. Demos have step by step instructions which makes this book a good choice for a beginner. I wish this book featured less architecture and more natural elements. This was also the shortest book out of all of them.
Stay tuned for more pen and ink themed goodness (naturally). If you know of any other useful pen and ink books or resources, please let me know in the comments and I’d love to check them out.
I’ve recently started reviving from a serious artistic funk in which I haven’t had the inclination or desire to engage in any sort of art at all. I didn’t even want to look at other people’s art, check Instagram, look for “inspiration” online, or anything similar.
I’ve never really experienced anything like this in the past. I wasn’t feeling depressed or anything of the sort, but I do think that I shifted focus to other areas of my life that were more immediately pressing (finances, etc.). I considered pushing on and continuing to work despite feeling very averse to the idea. The advice of many established artists is to “show up and do the work” and so forth. Instead, I truly felt like I just needed to rest my brain and to do nothing.
Now that things have quieted down a bit, I am focusing more on my art again. This time though, I am interested in expanding beyond floral art (not eliminating it entirely, of course). Throughout school and in the months following, I was drawn to florals because they made me happy and it was a subject matter that felt comfortable and easy to me. Now, I’m wanting to branch out and tackle some other subjects (other aspects of botany, rocks, and landscapes). I’m also working on some sewing projects and I’m imagining how I can incorporate sewing and embroidery into my art.
Cathy Johnson recently discussed her recent “dry spell.” I always like to read about how other artists deal with their creative ebbs and flows and it also makes me feel a little less uncomfortable with the whole process.
The following images are some of the pieces I painted in the last several months. Stay tuned for some new work in my next update.
A few months ago I got an illustration job that was perfect for me. I was commissioned to make some artwork with a new line of watercolor brush pens by the Inspire! Art company. The purpose of the illustrations were to demonstrate the kind of work the pens could produce and to show examples alongside the product photos online.
I had so much fun because I had free choice to draw whatever I wanted and I even got to work in my own sketchbook!
I really had a lot of fun with these pens. There are a huge range of line weights possible with these brush tips. I think the clearest example of finer lines is in the outlining in the butterflies wings. I also liked the painterly way I could work, as seen in the Johnny Jump Ups piece and the tulip petals. The colors are very tropical but coordinate well with each other within a color family. The set also comes with two water brushes in a fine and broader size.
You can check out these pens on their Amazon sales page (click through all the photos to see my work).
To see some more examples of my work with these pens, follow Inspire! Art on Instagram as I made some additional drawings that haven’t been published yet.
Although I have taken some memorable trips in the past, I am more of a homebody and prefer the comfort of my familiar environment. I do love to read travelogues and travel vicariously through other people’s photos though.
I recently found the book Explorers’ Sketchbooks: The Art of Discovery & Adventure by husband and wife Huw Lewis-Jones and Kari Hebert. It is a thick book (320 pages) and features photos of artists and sketchbook spreads from 70 different explorers’ sketchbooks, logs, and nature journals.
I haven’t had a chance to read all of the profiles yet, but I’ve been enjoying myself by reading one or two essays at a time in spare moments. I really like how there is a mix or photographs showing the book in its entirety (tattered pages, crumbling spine, etc.) as well as details of individual drawings and photos/drawings of the artists themselves. Another thing I appreciate is that the featured sketchbooks are from modern day explorers as well as those from the more distant past. Although many of the sketchbook pages shown are beautifully illustrated, there are also some utilitarian pages included with lists of figures, diagrams and penciled in comments.
I think my favorite sketchbook so far is from Edward Norton. He had some majestic mountain landscapes featured, as well as closeup studies of plants. His quote below reminds me of something that a modern day plein air sketcher would say.
“I sketched feverishly, my water freezing as fast as I put it on the paper, as also my fingers.” -Edward Norton (1884-1954)
Clearly this book was on my mind when I came across some of my late great uncle’s photographs while organizing through my reference photos on the computer recently. I couldn’t resist making an ink and watercolor interpretation of this mountain scene as if I were on location. Unfortunately, my uncle didn’t label or organize any of his photos so it is a mystery as to where he was when he took the photo.
If you can recognize this scene, or can suggest any similar books featuring the inside of sketchbooks, please leave me a comment below.