When I was a young girl and my family got it’s first Windows computer, I remember sitting in front of it for hours making pictures on Microsoft Paint. I remember filling it in pixel by pixel, making incredibly detailed drawings using the mouse. I wish I still had those files to look back on. Ever since then, I have been fascinated with digital art. If the iPad had existed back then, I would have absolutely loved it.
I have had Procreate on my iPad for quite some time but I really haven’t used it to it’s full potential. I have used it several times to make line art which I have printed on paper and used to transfer to watercolor paper to finish with traditional painting. It has come in very handy for that.
This is the first “finished painting” that I have made with Procreate. It is based on a photo I took at Old Sturbridge Village in 2019 during their Christmas by Candlelight event. This was about four months before covid started and I remember that it was so incredibly crowded with people that it was a little too much for me. I remember what I loved about this picture was the pink and blue pastel sunset and how it really felt like I was in a different era.
Some people love drawing on Procreate because they say it is much faster than traditional drawing and painting. But for me, this took much longer because of the constant undoing and redoing and also not being quite sure of what I was doing with the layers and such. I tried to draw this in the same style that I would use if I were working traditionally. I do think that this feels very much like “me,” even if I don’t usually draw architecture. I’m looking forward to making some more digital paintings in the future and sharing them here.
I don’t have enough time in the day to do all the art that I want to get done. I also have been working in my studio for my full time job (because it’s warmer) and then staying in that very same room during the evening to do my artwork. That has led me to have this weird, closed in feeling at times. I can’t wait until it warms up outside and we are in that sweet spot where you don’t have to run the heat or the air conditioner. I will feel more comfortable working in other areas of my house and I can reserve my studio for my art activities.
I’ve been doing a lot of drawing on my iPad, using Procreate, and also editing photos in Affinity Photo on my iPad. I figured out how to remove the backgrounds from my drawings, which I had a good method for in Photoshop, but I wasn’t sure how this new program would work. My process is not the most efficient, but I enjoy it and the results have come out to my liking. Even on the days that I am not drawing new artwork, I have been working on my art in one form or another. Not a day goes by that I haven’t been working on something.
This is my first proper painting of the year, called Clean Morning. I took the reference photo about a year ago, the morning after a late February or March snowstorm. This watercolor does not contain any pen and ink, but uses a sketchy style pencil drawing for the trees (I used a BIC disposable mechanical pencil). What attracted me to this scene was the dramatic light shining through the trees and the long shadows cast over the snow. It was really a perfect snowy atmosphere that morning, and I took a number of interesting photos on that occasion that I have in my reference file.
I’ve recently started reviving from a serious artistic funk in which I haven’t had the inclination or desire to engage in any sort of art at all. I didn’t even want to look at other people’s art, check Instagram, look for “inspiration” online, or anything similar.
I’ve never really experienced anything like this in the past. I wasn’t feeling depressed or anything of the sort, but I do think that I shifted focus to other areas of my life that were more immediately pressing (finances, etc.). I considered pushing on and continuing to work despite feeling very averse to the idea. The advice of many established artists is to “show up and do the work” and so forth. Instead, I truly felt like I just needed to rest my brain and to do nothing.
Now that things have quieted down a bit, I am focusing more on my art again. This time though, I am interested in expanding beyond floral art (not eliminating it entirely, of course). Throughout school and in the months following, I was drawn to florals because they made me happy and it was a subject matter that felt comfortable and easy to me. Now, I’m wanting to branch out and tackle some other subjects (other aspects of botany, rocks, and landscapes). I’m also working on some sewing projects and I’m imagining how I can incorporate sewing and embroidery into my art.
Cathy Johnson recently discussed her recent “dry spell.” I always like to read about how other artists deal with their creative ebbs and flows and it also makes me feel a little less uncomfortable with the whole process.
The following images are some of the pieces I painted in the last several months. Stay tuned for some new work in my next update.
Lately, I’ve been interested in painting watercolor without a pen and ink drawing underneath as a way to improve my painting ability. I love pen and ink, but I sometimes find that I use it as a crutch for out-of-practice watercolor skills. It can be fairly easy to make a detailed ink drawing, slap on a few watercolor washes and come out with a really nice looking piece of art. Using just watercolor is trickier because flaws become more apparent, especially when using different techniques such as wet on wet painting.
I’ve found this video from Steve Mitchell’s The Mind of Watercolor so helpful in preventing overworked areas and understanding why they occur. I never took a formal watercolor course, so everything I learned comes from trial and error, instructional books/videos, and even a few kind souls who gently pointed things out to me about my technique. I still find myself returning to some of these same errors, especially “painting in the danger zone,” as Steve refers to it in the video. I highly recommend Steve’s videos. He has a ton of experience and I always end up laughing at his dry sense of humor.
This is my last post of the year where I’ll review 2017 and look ahead to my art goals for next year. This is also the conclusion of my round up of unposted artwork from the past year. The above images were sketchbook pages in my large moleskine done from life. Even though my time was limited, I worked quite a bit from life over the course of 2017, which I am proud of and want to continue into the next year.
My goals for 2017 were to finish my nursing program and to incorporate more art into my life than I did in my first semester. I was successful with both of these goals, although my art activity fluctuated with my school schedule and I often went long stretches with no art making at all. My most productive times were in August and the end of April to mid-May, which coincided with my semester breaks. The least productive times were in September and November, which were also some of the busiest times of my entire nursing program. I posted to my blog 23 times this year, although 4 posts were written and pre-published the year before.
For 2018, I would like to work on making art on a more consistent schedule. I have some longer term projects/series that I am planning, but I need to create a lot of new work on a consistent basis to make my plans a reality. I also want to work more from life when possible. I did a lot of small nature studies this past year and I would like to continue on that theme. I also let my email newsletter fall by the wayside while I was in school and I want to start sending that out again.
I’m looking forward to an exciting year ahead. I hope everyone reading this joins me in having a productive, prosperous, and fulfilling 2018!
These are some of the blank greeting cards that I painted over the past year. I had a recipient for each of these in mind when I painted the cards, but it is a goal of mine in the upcoming year to paint a few of these ahead of time. I would also like to get some images printed on cards as well because while I like sending cards with my artwork on them, it is not always feasible or desirable to send original art. I also would like to find a replacement watercolor greeting card for the Strathmore brand that I currently use. I’m not entirely happy with the paper as it seems to give me uneven washes and I have a hard time lifting color.
A friend of mine took a trip to Mexico a few years ago and gave me permission to make a painting from one of his snapshots. I have been planning to make this little painting for ages now, but never got to it until now. I haven’t traveled in the past several years, but someday I would like to visit some beautiful locations and make some paintings like this in person.
I used a Pigma FB brush pen and went over it with juicy watercolor and some Inktense colored pencils. I removed all the people and buildings from the picture because I wanted a more peaceful and natural looking scene. This little painting was a lot of fun!
A few weeks ago I came across this blog post about how to implement a minimalist strategy with art and crafts supplies. Some of the author’s opinions are a little extreme and I prefer high quality materials even for sketchbook work. That said, so many people out there have a problem with collecting art supplies and she definitely has some good points. I also have realized how much I have veered off track from my minimalist roots. Going through nursing school is tough (I’m halfway done with the program!) and I have definitely used art supply purchases as a reward for getting through school in one piece.
At this point, I have plenty of interesting supplies to play with and I’m going to focus on using them to their full extent. The biggest thing that has helped me maintain control is to decline purchasing supplies that do not relate to my chosen media. Right now I only work in watercolor, pencil, and ink. Until I have a bigger studio space, I have decided not to pursue acrylic, pastel, oils, printmaking, etc. It’s not that I don’t have an interest in experimenting with other media; it’s more of a practical way to stay focused. For the rest of the year, I am going to make a concerted effort to stay out of art supply stores and use up what I have. I do have some new supplies that I have not finished experimenting with yet, so stay tuned for some future blog posts about those.
This morning, I mailed my submission to Stratford-upon-Avon, UK for the seventh Twitter Art Exhibit. The organization that is benefiting from the show is Molly Olly’s Wishes, which supports terminally ill children and their families. Over the years, I have really enjoyed participating in the project, as it has given me a feeling of being a part of something greater than myself. I hope to continue the tradition in the future.
About the painting:
I based this watercolor sketch from a snapshot I took this past July from a hilltop at Tower Hill Botanic Garden. It shows the Wachusett Reservoir and Wachusett Mountain/Mount Wachusett in the background. In 1842, Henry David Thoreau traveled from Concord to Mount Wachusett on foot over four days and wrote about it in his essay, A Walk to Wachusett. It’s a really interesting read, especially his comments on the Worcester accent, which apparently was a thing even back then.
Recently I got the chance to work on some album artwork for my good friend Robert Louis. He just released his brand new collection of instrumental jazzy Christmas songs, A Robert Louis Christmas. I’ve been playing it in the background and wishing for the semester break.
This was a fun and challenging painting to make with all the architecture, snow and monochromatic values. I love winter scenes!