Tag: minimalism

gnarly tree ink drawing

Starting Fresh for Spring (plus new pen and ink work)

I took a break from art for a few days to get my studio (i.e., my bedroom) in order. I wasn’t really happy with the lighting in my space, so I made a change and swapped bedrooms with my daughter. I was also struggling with clutter overload, so I took the opportunity to dispose of a lot of excess stuff and completely reorganize. The changing of the seasons seemed like the perfect time to undertake the project.

My art supplies and personal possessions are much more manageable now, but the whole job took more than two days and it was exhausting. Unlike some of the glamorous studio tours I’ve seen, my room is very plain and simple and nothing special to look at (hence, no pictures!).

One thing I love about my new setup is that my scanner is next to my desk now, so I can use it whenever I want. I didn’t have a place for it before and I had to keep it in my basement, which made scanning a real chore. I also got a new Ottlite with an attached magnifying glass (which has already been coming in handy).

After I got everything set up, I had a massive scan-a-thon and rounded up some of my recent pen and ink work to show you all. Thanks for looking and enjoy!

pen and ink nature drawing
©2018 Carolyn A Pappas, Ink Medley (1/20/2018). Ink in Stillman & Birn Epsilon sketchbook.
pen and ink tree sketch drawing
©2018 Carolyn A Pappas, Tree Sketch (2/28/2018). Ink and rubber stamps in large moleskine.
gnarly tree ink drawing
©2018 Carolyn A Pappas, Gnarly Tree. Ink in large moleskine.
pen and ink tree roots
©2018 Carolyn A Pappas, Tree Roots. Ink in Stillman & Birn Epsilon Sketchbook.
tree drawing sketch

Trees on my mind

I’ve been doing a lot of drawing, painting, thinking, and planning lately (as well as studying). My mind has been drifting to trees lately: the trunks, branches, and leaves that appear in my sketchbooks, but also the deep roots below. Scientists have found that there is much more going on underground than originally thought (Read: Trees communicate via their own fungi-based “internet”).

tree sketch
©2017 Carolyn A Pappas, Climbing Vines (4/19/2017). Ink and watercolor in large moleskine.

When I think of trees, I think of wisdom, strength, and stability. I’ve never had successful New Year’s resolutions in the past, but this year (probably because I am starting a new season after graduation) I really feel like I am starting my life over with a fresh start. I have been thinking of my priorities, and the things I really want to get done. I’ve also been focusing on my health, taking control of stress, and finding ways to incorporate minimalism into my life (Read: Go Deeper, Not Wider).

I’ve been enjoying spending time in my sketchbooks more than ever. Instead of being a task to check off my list, artmaking has become much more of a pleasure than it has been in a long time. I know that this feeling will not last forever, but I’m really loving it for the time being!

pine needles drawing
©2018 Carolyn A Pappas, Winter Debris. Ink and watercolor on a blank note card, 12.4 x 8.9 cm.

The righteous will flourish like a palm tree, they will grow like a cedar of Lebanon; planted in the house of the Lord, they will flourish in the courts of our God. Psalm 92:12-13

tree drawing sketch
©2018 Carolyn A Pappas, Tree Branches (1/15/2018). Platinum Carbon Ink and watercolor in large watercolor moleskine.

For more tree goodness, check out Terri Windling’s blog posts on trees. She writes so poetically, and the photos of her forest are so magical. Be sure to hover over each photo for poetry and quotes.

Licorice plant drawing by Carolyn A Pappas

The Life-Changing Magic of Tidying Up

Licorice plant drawing by Carolyn A Pappas
©2015 Carolyn A Pappas, Licorice Plant. Ink in 7×10 inch Stillman & Birn Epsilon Series sketchbook.
I read this book a few months back and it has really stuck with me, which is rare for a nonfiction book. I am someone who has struggled for years with what Marie Kondo calls “rebound.” My relationship with organization is similar to what some people deal with when yo-yo dieting. I go on a massive cleaning spree and have things under control for about one week, but things quickly fall apart again. Over the past four years or so I have really improved, due to drastically reducing my living space and possessions accordingly. Even still, I continue to struggle, as I have not been able to stick to a long term solution. When my summer term is over, I am going to do a purge and fully implement her method. I will report back on my findings.

This is one of my favorite passages of the book:

If you have read this far, you have probably noticed that in my method your feelings are the standard for decision making. Many people may be puzzled by such vague criteria as “things that give you a thrill of pleasure” or “click point.” The majority of methods give clearly defined numerical goals, such as “Discard anything you haven’t used for two years,” “Seven jackets and ten blouses is the perfect amount,” “Get rid of one thing every time you buy something new.” But I believe this is one reason these methods result in rebound.

 

Even if these methods temporarily result in a tidy space, automatically following criteria proposed by others and based on their “know-how” will have no lasting effect – unless their criteria happens to match your own standards of what feels right. Only you can know what kind of environment makes you feel happy. The act of picking up and choosing objects is extremely personal. To avoid rebound, you need to create your own tidying method with your own standards. This is precisely why it is so important to identify how you feel about each item you own.

 

Marie Kondo in The Life-Changing Magic of Tidying Up, pg 125-126.