I’ve never decorated the front endpapers in any of my previous sketchbooks, although some people make a tradition of it. I decided to give it a try in my new moleskine, by making a series of mini sketches out in the garden over the month of June. I went outside in the evenings before it got too buggy and made a quick sketch or two using my colored PITT artist pens. I managed to capture a lot of the wild and cultivated things out there.
These are the first two pages I did in my new moleskine (a black one, this time). I immediately noticed a difference in the paper (it was advertised to be improved for paint). A short time ago, Roz Stendahl wrote an extensive review of the new paper.
My thoughts were that the paper was definitely whiter than the previous version, which I appreciated. I also noticed less buckling with watercolor. The paper handled ink nicely. The only thing I dislike about this paper is that it is noticeably thinner and “see through,” so that I cannot comfortably draw on both sides of the page. The paper also seems to wrinkle more easily. I am planning on only using one side of the page and I probably won’t do many double page spreads.
The reason why I like moleskines are that they look neat when closed and the elastic band keeps everything well contained. The large size is the perfect size for me to carry in a purse while still having a decent enough area to work with. I also have had a number of moleskines over the years and I like how they look stacked up. In the past, I have disposed of old sketchbooks, but I have decided to keep new ones going forward as I think my daughter would like to have them when I am gone. Also, I have more space to store them now, thankfully.
I always get a feeling of accomplishment when I finish a sketchbook, especially one that has been in progress for the better part of two years. I am so happy to move on from my red large moleskine. It was an unexpected gift that I originally began hesitantly. It wasn’t until about a year ago that I really got into a groove and began filling it up with more vigor. When I flip through the pages, I also see a real progression in my level of artistic risk taking, which pleases me.
Oftentimes, finishing a sketchbook coincides with moving onto a new season of my life. I have the rest of the summer before I start school again and I’m hoping to break in my new sketchbook by then.
I took a break from drawing and painting to work on some sewing projects: mermaid dolls*. While I enjoy sewing, it can be very intense and time consuming because I don’t have a machine and do it all by hand. When I was done with this project, I was relieved to pack up all my sewing supplies for the time being. I am so ready to get back into my sketchbook!
*I followed a free pattern from Made by Marzipan. I added the yarn hair, a different face, a decorative button on the bikini, a belly button and sequins to the tail.
Lately I’ve been trying to expand my skills and get a bit out of my comfort zone. With that in mind, instead of sketching with pen outdoors as I usually do, I decided to paint in watercolor. There is so much information online about people’s ideal travel watercolor setup, but I never paid attention to it much because I never took my watercolors outside with me. Interestingly, my supplies weren’t the problem for me this time.
I used a size 6 Cotman III brush and my Winsor & Newton compact set. For water, I used my regular water cup. My seating was on the granite steps going down into the lake. I felt a little uneasy because I was sitting in an awkward position with the trunk of my body twisted in an odd angle to properly view the flowers. Minuscule bugs started crawling across the paper as well which concerned me because I didn’t want to squish them and then leave a mark on my card. I found that a strong puff of exhale blew them off my paper which worked nicely. It was late afternoon when people start taking their speedboats out, which generated pretty large waves and I almost got splashed a few times.
The whole experience left me feeling rather rushed and not relaxed. The next time I go outside to paint I am going to put some more thought into my seating location as well as my subject. I will pick something less detailed and easier to paint quickly.
My mom, Cate and I visited Tower Hill Botanic Garden for the first time last week. What a treasure of a place! I can’t believe that I’ve never visited in over twenty years of living in Central Mass. There is a lot to look at and it changes seasonally with new things on display all year, even in winter I’m told. The tulip beds, planted in coordinated color combinations, were the highlight of the trip for me. There was also a display of fairy houses and an exhibit of watercolor paintings by wildlife artist Barry Van Dusen (on display until June 26, 2016).
I only took photos and didn’t get the time to sit and sketch this time. However, I joined as a member and will be visiting again soon with my sketchbook and a big block of (undisturbed) time.
Although I have generally been avoiding TV, I have been enjoying watching the four part Moving Art nature documentary series on Netflix. I love that there is no narration, only peaceful background music. Flowers is my favorite (not surprisingly).
Butterflies on scrap watercolor paper. Pen and ink and watercolor.
A Recent Experiment:
I painted little butterflies on scraps of watercolor paper that were too small to use for anything else. Then I cut them out with an exacto knife. I am planning on using these little cutouts for some sort of collage project that I haven’t yet figured out. When I was drawing these, I looked up some images of butterflies online but I took a lot of liberties with the colors and patterns so they are not at all accurate.