I’ve never decorated the front endpapers in any of my previous sketchbooks, although some people make a tradition of it. I decided to give it a try in my new moleskine, by making a series of mini sketches out in the garden over the month of June. I went outside in the evenings before it got too buggy and made a quick sketch or two using my colored PITT artist pens. I managed to capture a lot of the wild and cultivated things out there.
These are the first two pages I did in my new moleskine (a black one, this time). I immediately noticed a difference in the paper (it was advertised to be improved for paint). A short time ago, Roz Stendahl wrote an extensive review of the new paper.
My thoughts were that the paper was definitely whiter than the previous version, which I appreciated. I also noticed less buckling with watercolor. The paper handled ink nicely. The only thing I dislike about this paper is that it is noticeably thinner and “see through,” so that I cannot comfortably draw on both sides of the page. The paper also seems to wrinkle more easily. I am planning on only using one side of the page and I probably won’t do many double page spreads.
The reason why I like moleskines are that they look neat when closed and the elastic band keeps everything well contained. The large size is the perfect size for me to carry in a purse while still having a decent enough area to work with. I also have had a number of moleskines over the years and I like how they look stacked up. In the past, I have disposed of old sketchbooks, but I have decided to keep new ones going forward as I think my daughter would like to have them when I am gone. Also, I have more space to store them now, thankfully.
I always get a feeling of accomplishment when I finish a sketchbook, especially one that has been in progress for the better part of two years. I am so happy to move on from my red large moleskine. It was an unexpected gift that I originally began hesitantly. It wasn’t until about a year ago that I really got into a groove and began filling it up with more vigor. When I flip through the pages, I also see a real progression in my level of artistic risk taking, which pleases me.
Oftentimes, finishing a sketchbook coincides with moving onto a new season of my life. I have the rest of the summer before I start school again and I’m hoping to break in my new sketchbook by then.
Last weekend I visited Magic Wings Butterfly Conservatory. I had last been there two years ago, so I was due for another visit. This time though, the timing was not ideal. It was a rainy Saturday and the place was crowded with lots of other people who had the same idea. That, combined with all of the substandard photos that I took and a shortage of blue morpho butterflies, led to a rather disappointing visit. I did get to make a sketch though, which was the highlight of the trip.
My mom, Cate and I visited Tower Hill Botanic Garden for the first time last week. What a treasure of a place! I can’t believe that I’ve never visited in over twenty years of living in Central Mass. There is a lot to look at and it changes seasonally with new things on display all year, even in winter I’m told. The tulip beds, planted in coordinated color combinations, were the highlight of the trip for me. There was also a display of fairy houses and an exhibit of watercolor paintings by wildlife artist Barry Van Dusen (on display until June 26, 2016).
I only took photos and didn’t get the time to sit and sketch this time. However, I joined as a member and will be visiting again soon with my sketchbook and a big block of (undisturbed) time.
Although I have generally been avoiding TV, I have been enjoying watching the four part Moving Art nature documentary series on Netflix. I love that there is no narration, only peaceful background music. Flowers is my favorite (not surprisingly).
I sat on the edge of a retaining wall and sketched some weeds in the dirt this particular afternoon. As I was drawing, I moved around in order to find different clumps of weeds that interested me, which explains the uneven lighting. I tried looking up this particular weed on the UMass Weed Herbarium, but I never managed to identify it. Please leave me a comment if you know what this plant is called. There are tons of them in my yard and garden, so I’m sure it is very common.
I got a white (and silver) Sakura Gelly Roll pen recently and tried it out in my sketchbook. For the fantasy landscape, I used it for the stars and on the teapot, I used it for the floral design. I haven’t used a white pen since I was a child but I remember the same frustrating feeling of inconsistent ink flow, ink that wasn’t truly opaque and visible scratches in the ink from the metal nib. Even still, it is satisfying to see the white lines on a dark background. In some of the facebook sketching groups I am a part of, the Uni-ball Signo Broad UM-153 Gel Pen is recommended because the ink flow is very smooth and opaque. I think I will definitely try the Uni-ball pen out in the future. If you have another recommendation for a white gel pen, please let me know in the comments.
I’ve been making an effort lately to spend more time outside in the sunlight, and on a few occasions I’ve brought my sketchbook out with me. I don’t really care about the result, but I find it very relaxing to sit in the sun and make some little drawings of whatever I see on the ground. I also like to record what I see happening out there as the weather gets warmer.
