Recently I got the chance to work on some album artwork for my good friend Robert Louis. He just released his brand new collection of instrumental jazzy Christmas songs, A Robert Louis Christmas. I’ve been playing it in the background and wishing for the semester break.
This was a fun and challenging painting to make with all the architecture, snow and monochromatic values. I love winter scenes!
Check out Robert Louis on facebook, listen for free on SoundCloud, or download the album on cdbaby.
Thanks to my membership at the botanic garden (and multiple visits over the summer), I now have a huge collection of snapshots of beautiful, showy, and unusual (to me) flowers to paint. Today I’m taking a look back at some pink watercolor flowers that I painted this past August in my large moleskine sketchbook. I spent quite a bit of time painting these—on paper that isn’t even intended for watercolor. It’s almost a shame that I didn’t use proper watercolor paper, but I think that the fact that it was in my sketchbook helped me to relax and enjoy myself more than I would have otherwise.
These are some of my daughter’s nature objects that found their way into my bedroom, and then my sketchbook. I made the drawings in watercolor pencils, and then instead of using plain water to activate the pencil marks, I used a brush loaded with watercolor paint as well. It was an interesting experiment and fun. I used the same colors for the two pages so they have a cohesive look.
My favorite waterproof black fineliners are Staedtler Pigment Liners and I have the four pack in the plastic case. I find that I go for the 0.01 size most often and use the 0.03 size on a limited basis. I very rarely use the larger 0.05 and 0.07. For this sketch, I decided to do the opposite and use primarily the larger sizes and the smaller sizes only for the details. I also broke out my Pentel Pocket Brush Pen which is great for laying on black areas very quickly with juicy ink.*
©2016 Carolyn A Pappas, View from the end of the path in springtime. Ink, watercolor and colored pencil in large moleskine.
*I found that the Pentel Pocket Brush Pen bleeds a bit on the new moleskine paper and saturated both sides of the paper, but it did not soak through to the page underneath.
I took my watercolors to Tower Hill Botanic Garden to try out working plein air. It was a sunny day and I was worried about getting burned, so I went into the wooded areas. I settled down at the Moss Steps and did this pen drawing and then painted it in watercolor. Although there was a chain blocking the steps off from people, I did see a chipmunk running around as well as a wood frog hopping down.
I usually add the watercolor at home, but it was a welcome change to paint in person (and more of a challenge). I brought water with me in a bottle and poured it into a plastic cup, but I had to bend down to use it as I put my water cup on the ground. The pine needles falling down on my head were annoying, but a small price to pay for such a nice time.
Next time I would like to try painting in watercolor without such a detailed pen and ink drawing first because it took a very long time.
To be alone with nature is to be one with nature. -Peter Ewart
I was able to get out of the house by myself for a few hours today. I used my time well and made three sketches. It was lovely.
I’m glad I tackled this project, but it wasn’t what I would consider a relaxing painting to make. Still, I did find it rewarding when the owner was so pleased. Now, I am going to get back to a few projects of my own.
I’ve never decorated the front endpapers in any of my previous sketchbooks, although some people make a tradition of it. I decided to give it a try in my new moleskine, by making a series of mini sketches out in the garden over the month of June. I went outside in the evenings before it got too buggy and made a quick sketch or two using my colored PITT artist pens. I managed to capture a lot of the wild and cultivated things out there.
These are the first two pages I did in my new moleskine (a black one, this time). I immediately noticed a difference in the paper (it was advertised to be improved for paint). A short time ago, Roz Stendahl wrote an extensive review of the new paper.
My thoughts were that the paper was definitely whiter than the previous version, which I appreciated. I also noticed less buckling with watercolor. The paper handled ink nicely. The only thing I dislike about this paper is that it is noticeably thinner and “see through,” so that I cannot comfortably draw on both sides of the page. The paper also seems to wrinkle more easily. I am planning on only using one side of the page and I probably won’t do many double page spreads.
The reason why I like moleskines are that they look neat when closed and the elastic band keeps everything well contained. The large size is the perfect size for me to carry in a purse while still having a decent enough area to work with. I also have had a number of moleskines over the years and I like how they look stacked up. In the past, I have disposed of old sketchbooks, but I have decided to keep new ones going forward as I think my daughter would like to have them when I am gone. Also, I have more space to store them now, thankfully.